Canon XF300 User Manual Page 9

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9
XF300/305 Whitepaper
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CODECS AND FILE FORMATS
An image is compressed for recording/storage and decompressed for
display. This process is also referred to as encoding and decoding”.
Codec is an abbreviation that stands for Compressor/Decompressor or
Coder/Decoder, meaning it can both encode and decode something,
in this case video.
Codecs are usually designed for speci c purposes. Some codecs
are designed for acquisition, others are meant speci cally for editing,
and then some codecs are intended primarily for transmission. For
example, XF series cameras acquire video footage and encode them to
recording media using the Canon XF MPEG-2 4:2:2 codec. This codec
has been optimized to edit natively on most non-linear editing (NLE)
systems and can be used as an editing codec without the need for
transcoding. If a nal product is designated for a transmission medium
such as broadcast, DVD or Blu-Ray disk or the internet, it will be
exported to the codec appropriate for that distribution medium.
MPEG-2, 4:2:2, 50Mbps codec
MPEG-2 is a professional compression format widely supported by
hardware and software manufacturers. It is also less hardware-
intensive than other available compression formats.
MPEG-2 compression takes advantage of the redundancy between
successive frames of video, which often contain similar picture
information, even when the image has moved slightly from one frame
to the next.
Because the human visual system is less sensitive to the position and
motion of color than luminance, storing more luminance detail than
color detail can optimize bandwidth. This process is known as chroma
subsampling and is represented by a three-part ratio separated by
colons. The rst number refers to the width of a conceptual region of
luminance, with the following two numbers indicating the number of
chrominance samples. For example the 4:2:2 scheme requires
two-thirds the bandwidth of 4:4:4 while resulting in almost no visual
di erence as perceived by the viewer.
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