Canon Ultura - Ultura Digital Camcorder User Manual Page 3

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Adobe Premiere Pro CS6 Workow Guide
While watching footage, you can create rough cuts by marking In points and Out points, add searchable
temporal markers, comments, and tags to your clips. All of that information is stored as metadata in your
media files, which flows directly into Adobe Premiere Pro when you import them. And when you start editing,
those searchable metadata-based markers, comments, and tags help communicate the producer’s intentions,
as well as help you sift through mountains of footage to quickly find what you’re looking for. Better still, that
same metadata stays with your media assets throughout the production workflow, so you and your clients can
keep track of vital details such as rights and permissions, and when finished projects are delivered online, your
audience can more easily find your content via search engines.
Tape-based capture
For those who still need to pull HDV and DV content off of tape shot with XH series video cameras or other
Canon models that record to miniDV tape, Adobe Premiere Pro supports batch capturingautomatic,
unattended capture of multiple clips from controllable cameras and tape decks. You define a batch by selecting
a group of clips that you have logged. These appear as offline (placeholder) clips in the Project panel or in a
bin. You can capture any number of logged offline clips by selecting them and choosing File > Batch Capture.
When you begin capture, Adobe Premiere Pro automatically re-sorts entries by tape name and timecode In
points so that they’re captured as efficiently as possible. Automatic scene detection for both HDV and DV
footage saves more time by reducing the number of clips you have to log manually.
Editing workow
Adobe Premiere Pro enables a exible, intuitive, and comprehensive workow for editing, rening, and
delivering content. Start by creating a new project and choosing a preset that best matches your source
footage. Or you can start with a generic sequenceAdobe Premiere Pro CS6 automatically detects and
noties you when a clip dragged onto the timeline doesn’t match the sequence seings, enabling you to easily
choose to change the sequence seings to match the clip’s seings or vice versa.
You can also freely mix source footage with dierent resolutions, frames rates, and aspect ratios in sequences
without complex format conversions. For example, you can drop HDV 1440x1080 24F footage shot with a
Canon XH A1S into the same timeline as 1920x1080 24p footage from a Canon EOS C300 Digital Cinema
camera and 1280x720 30p footage from an XF105. You can even drop SD 4:3 clips into a 16:9 HD sequence
when you do so, the SD clips are pillar-boxed automatically.
About the Canon
XF Utility
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To help get your projects started
quickly, Adobe Premiere Pro CS6
includes an extensive array
of sequence presetsinclud-
ing presets for the Canon
XF MPEG2 codec.
About AVCHD and XF
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