Canon EOS C500 User Manual Page 142
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Selecting the Color Space
142
Selecting the Color Space
You can select the color space of the video that is output from the 3G-SDI terminal or MON. terminals. If you
select a color space with a wider range of colors than that of BT. 709, you can improve the color reproduction in
the video. When checking the output, you will need a display device that is compatible with each color space.
1 Open the [Color Space] submenu.
[~ Camera Setup] > [Color Space]
2 Select the desired option and then press SET.
• The color space of the video output from the 3G-SDI terminal and
MON. terminals will change accordingly.
Options
Operating modes:
[BT. 709]: Standard color space that is compatible with sRGB
specifications.
[DCI-P3+]: Color space that retains the hues of DCI-P3, which is a color
space whose guidelines were established by the DCI (Digital
Cinema Initiatives), and possesses a wider color gamut than
that of DCI-P3 and BT. 709 (sRGB). DCI-P3+ has good color
reproduction of subjects with high-color intensity. Because this
color space extends the gamut of high-intensity colors without
changing hues, you can use it for the DCI workflow just by
adjusting the intensity.
[C. Gamut]: Cinema Gamut. Color space developed by Canon and based
on the specific characteristics of the camera’s sensor. Features
a wider color gamut than that of DCI-P3+. Use this setting with
workflows that require ACES color space.
[~ Camera Setup]
[Color Space]
[BT. 709]
Cinema Gamut
DCI-P3+
DCI-P3
BT. 709
Visual range
COPY
- Digital Cinema Camera 1
- Important Usage Instructions 2
- RISK OF ELECTRIC SHOCK 3
- DO NOT OPEN 3
- Important Safety Instructions 4
- Operability and Adaptability 5
- Other Features 6
- Table of Contents 7
- 4. Customization 111 8
- 5. Playback 125 9
- 6. External Connections 139 9
- 7. Photos 161 9
- 8. Additional Information 169 9
- Introduction 11
- About this Manual 12
- Supplied Accessories 13
- Names of Parts 14
- Monitor Unit 19
- Handle Unit 19
- Operation panel 20
- 4K Workflow Overview 21
- On-set Color Grading 22
- Post-production 22
- Preparations 23
- Preparing the Power Supply 24
- CHECK button 24
- Battery charge indicator 24
- Turning the Camera On and Off 26
- Setting the Date and Time 27
- Changing the Time Zone 27
- Changing the Language 28
- Using the Menus 29
- Preparing the Camera 32
- Preparing the Lens 32
- Index mark 33
- PL lens index pin 35
- Using the Viewfinder 36
- Using the LCD Panel 37
- Using a Tripod 38
- Attaching the Handle Unit 39
- Attaching a Shoulder Strap 39
- External Recorder 40
- Preparing Recording Media 43
- Removing a CF card 44
- SD card access 44
- Adjusting the Black Balance 48
- Web site 49
- Recording 51
- Recording Video 52
- Using Metadata 53
- Recording operation 54
- Time code 54
- Rear Panel Displays 57
- View Assist.] 58
- Video Output 62
- Configuration 62
- Selecting the Resizing 63
- Using the Direct Setting Mode 66
- Shutter Speed 67
- ISO Speed/Gain 70
- Using the Control Dial 71
- Control dial 71
- ND Filter 73
- Using the ND Filter 73
- 2 Adjusting the Aperture 74
- White Balance 76
- Setting the White Balance 76
- White balance fine-tuning 78
- Color temperature 78
- Adjusting the Focus 79
- Adjusting the Focus Manually 79
- Displaying Onscreen Markers 82
- Aspect guide 4:3 82
- Level marker 82
- Safety zone 80% 82
- Displaying Zebra Patterns 83
- Center marker 83
- Setting the Time Code 84
- Setting the User Bit 87
- Connecting an External Device 88
- Time Code Signal Input 89
- Reference Video Signal Output 90
- Time Code Signal Output 91
- Recording Audio 92
- Audio Input] 93
- XLR Rec Channel] 93
- × (headphone) 96
- Recording Color Bars 99
- Video Scopes 100
- Displaying a Video Scope 100
- Configuring the Vectorscope 101
- Configuring the Edge Monitor 101
- [% MARK] to set a % mark 103
- Reviewing an MXF Clip 104
- Special Recording Modes 105
- Frame Recording Mode 106
- Frame Rec] 107
- Special Rec] 107
- Slow & Fast Motion Mode 108
- Shooting frame rate 109
- Playback frame rate 109
- Pre-recording Mode 110
- Customization 111
- Using an Assignable Button 112
- Custom Picture Settings 114
- Renaming Custom Picture Files 115
- Customizing Functions 122
- Customizing Onscreen Displays 123
- Onscreen Displays 123
- Playback 125
- Playing Back MXF Clips 126
- Playing Back Clips 126
- Playback Controls 128
- Audio Output 129
- MXF Clip Operations 130
- Displaying Clip Information 131
- Adding $ Marks or % Marks 132
- Deleting $ Marks or % Marks 132
- Copying Clips 133
- Deleting Clips 134
- Deleting the User Memo 134
- Time code of the 135
- Adding Shot Marks 136
- Deleting Shot Marks 137
- Changing a Clip’s Thumbnail 137
- External Connections 139
- Operating modes: 141
- Selecting the Color Space 142
- Connection Diagram 144
- MON. 1 & 2] 145
- Using the HD/SD SDI Terminal 147
- Using the HDMI OUT Terminal 147
- Using the SYNC OUT Terminal 148
- External Monitor 149
- Developing RAW Clips 150
- System Requirements 153
- Apple’s NLE software plugins 154
- Taking Photos in CAMERA Mode 161
- Taking Photos 162
- Photo Playback 163
- Viewing Photos 163
- Photo Operations 164
- Using the Photo Menu 164
- Deleting Photos 164
- Protecting Photos 165
- Copying Custom Picture Files 166
- Photo Numbering 167
- Additional Information 169
- [¡ Audio Setup] menu 173
- [£ LCD/VF Setup] menu 173
- [w Other Functions] menu 177
- Displaying the Status Screens 180
- [Audio] Status Screen 182
- [Media] Status Screen 182
- [/ Data 1/3] Status Screen 184
- Troubleshooting 186
- Picture and Sound 188
- List of Messages 189
- > [Photo Numbering] to 191
- Handling Precautions 193
- Battery Pack 193
- Recording Media 195
- LOCK switch 195
- Maintenance/Others 196
- Condensation 197
- Using the Camera Abroad 198
- Optional Accessories 199
- Charging Times 200
- Recording and Playback Times 200
- Specifications 202
- C500 / C500 PL 202
- Modular Units 205
- CA-940N Compact Power Adapter 205
- CG-940 Battery Charger 206
- BP-955 Battery Pack 206
- *2 only **3 only 208
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