Canon EOS C300 User Manual

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Colorimetric and Resolution requirements of cameras
Alan Roberts
ADDENDUM 70 : tests and settings on a Canon EOS C300
Tests were made on a pre-production sample of the Canon EOS C300. Clearly, the specification and
performance of the camera may differ when it is released, and therefore any details and measurements in this
document are subject to modification, when a production model is tested. Canon have made it clear that this
is only their first offering of a ‘digital-cinema’ camera.
The camera has one large CMOS sensor (super 35 size, 24.6x13.8mm) and uses interchangeable lenses. It
will be available with one of two lens mounts, the standard PL, and Canon’s EF range. EF lenses can be
controlled from within the camera, while the PL mount has no electrical connections to the lens.
It records MPEG2-compressed video, and has HDMI and HDSDI output, but all the tests were made using
the recorded MPEG2 signals, and analysed in software. It has a built-in monocular viewfinder, and
connection ports for external LCD panel, control handle and other accessories.
The sensor is a single CMOS, total 4206x2340 photo-sites, of which a central patch of 3840x2160 is used for
the video signal (the implications of this will be discussed in detail in the measurements section).. Recording
is onto Compact Flash card (two slots) in MPEG-2, long-GoP, with MXF file format. Three bit rate options
are available: 50Mb/s CBR (constant bit rate) at 4:2:2 colour sampling (1920x1080 or 1280x720), 35Mb/s
4:2:0 VBR (1920x1080 or 1280x720) and 25Mb/s 4:2:0 CBR (1440x1080 only). Thus it complies with
broadcast requirements for bit rate and offers more economic rates for greater economy (the 25Mb/s option
matches HDV format). At these rates, a 64GB card can record 160, 225 and 310 minutes respectively. In
1080 mode, both interlaced and progressive modes are available. Off-speed recording at fixed speeds from
12 to 60fps is possible. Recorded content is to 8-bit depth
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; this is a limitation of the internal processing.
HDSDI and HDMI outputs are also both 8-bit depth, although the data-stream is 10-bit. This does not appear
to have any detrimental effect on the camera performance.
There is a conventional rear-mounted monocular viewfinder (specification 1.555Mpixels, about 1662x935
pixels). A larger accessory viewfinder (included in the kit) can be top-mounted on the camera, and adds
significant extra controls to the camera. There is also an accessory side-mounted handle with record button.
A WiFi dongle can be added, so that the entire camera can be monitored and controlled remotely from a
laptop or suitable mobile telephone.
There are neutral filters for exposure control, and manual control of the lens. Sensitivity is good, and noise
levels low. On-screen video level monitoring is good, there are options for both waveform monitoring and
vectorscope. There is an image magnifier as a focus aid.
Connectivity is good, with HDSDI, HDMI and timecode, analogue HD luma signal or SD composite via
BNC socket, and XLRs for audio via the accessory viewfinder module. Headphone and stereo microphones
can both be connected via 3.5 mm jack sockets, independent of the viewfinder.
Power consumption is about 10.5 watts at 7.2 volts, rising to about 11.5 watts with the accessory viewfinder.
There are 15 assignable (user) buttons. The bare camera weighs 1.43kg, which is fairly light for a large-
format camera, although this figure can double when the camera is fully equipped with accessories.
The camera performed well under test.
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The EBU-approved 50Mb/s MPEG2 format is 4:2:2 coded at 10-bit depth. Although the camera records 8-bit content,
it should be handled as 10-bit in post-production since this gives ‘foot-room’ for image manipulation without
introducing colour contouring. No contouring was experienced during the camera tests.
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Summary of Contents

Page 1

1 Colorimetric and Resolution requirements of cameras Alan Roberts ADDENDUM 70 : tests and settings on a Canon EOS C300 Tests were made on a pre-pr

Page 2

10 Add CP File To Clip On, Off To Photo On, Off Copies settings to clip or photo as metadata Custom Function Shockless Gain On, Off A

Page 3 - 1 Menus and settings

11 2 Measurement results 2.1 Colour performance Assessments were made visually, using Colorchecker charts as usual. Performance was generally goo

Page 4

12 frequency responses, implying that the red and green signals (and therefore blue as well) all have identical bandwidths and sampling structures w

Page 5

13 harmonic distortion, emphasised by the detail enhancement), which is a perfectly normal phenomenon. At low detail levels, this effect is invisibl

Page 6

14 2.4). Using this process, it makes sense to record 720p modes in the camera, rather than to use external hardware or software down-conversion. 2.

Page 7

15 more than 10-bit data at the ADCs, and so non-linear ADCs make a lot of sense. It is clear that a better digital processor would result in signif

Page 8 - OTHER FUNCTIONS

16 This filtering can be a positive benefit when shooting at 720p, since it reduces the higher frequency content which causes the spatial aliasing s

Page 9

17 If, as Canon claim, the camera’s sweet spot is at ISO850/+2.5 where there is headroom of 800% (3 stops), this would stretch the available exposur

Page 10

2 Colorimetric and Resolution requirements of cameras Alan Roberts ADDENDUM 70 : tests and settings on a Canon EOS C300 Many of the menu items have

Page 11

3 1 Menus and settings CUSTOM PICTURE (i.e. scene file) Main camera settings Item Range description Pref Select File Off, C1~C9, SD1~20 9 scene f

Page 12

4 Item Range description Pref Knee Aperture Video Film Gain 0~9 8 Slope 0,1~3 1 Level Depend Level 0~50 9

Page 13 - 2.3.4 Resolution, 720p

5 Y Level 0~31 Item Range description Pref Area B Revision Level -50~+50 Phase -50~+50 Ot

Page 14

6 CAMERA SETUP Main video standard setting Item Range description Pref ISO/Gain Select ISO, Gain ISO increment 1 stop, ⅓ stop 320, 400

Page 15 - Figure 11, Noise reduction

7 Backlight Normal, Bright VF Setup Brightness -99~0~+99 Contrast -99~0~+99 Color -20~0~+20 Sharpness 1, 2, 3, 4

Page 16 - 2.6 Dynamic range

8 Character Rec On, Off Output Display On, Off SDI Rec Command On, Off User Memo On, Off Audio Output Ch On, Off

Page 17 - 2.8 Conclusion

9 Assign Button21 Camera mode Media mode :None, Peaking, Zebra, WFM m(LCD), Edge monitor, Magnification, Color bars, Markers, LCD setup, VF setup, L

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